Parthipan (Srikanth) is a happy-go-lucky guy. He hates to take responsibilities and does not stick to any job for more than two months. His parents are worried about him and they want him to get settled by getting married.

One day he meets a girl (Sneha) on the road and it is love at first sight for him. He likes her attitude, and along with his friends he follows her without her knowledge and learns all about her likes and dislikes.

Meanwhile Parthi’s parents fix his marriage to a girl and much to his surprise he realizes that it is the same girl whom he was following. Her name is Satya (Sneha), daughter of a businessman (Manivannan). Parthi’s happiness has no bounds and he gets married to Satya.

But after the wedding as the couple proceed to their house; Parthi is shocked to see the girl whom he had admired and followed, who looks exactly like Satya !

On reaching home, Parthi finds that Satya is a homely girl and her interest are totally different from what he expected in his wife. He tries to trace the whereabouts about the girl whom he admired and learns that she is Janani (Sneha), an outgoing smart girl. Janani comes to stay opposite Parthi’s and Satya’s flat. What happens next?

Srikanth and Sneha make a perfect pair on screen and Sneha excels in both the roles. Director Karu Palaniappan deserves credit for making the characters of Satya and Janani look entirely different in their looks and body language. Srikanth has given a matured performance and is getting better with each film. Vivek’s comedy for a change is a part of the narration and he is responsible for the twist in the climax.

However the highlight of the film is the melodious music tuned by Vidyasagar. There is a song Ye Maadapura in a dream sequence, which starts in black and white era of K.V.Mahadevan, then becomes technicolour with M.S.Viswanathan’s tune and finally Eastman colour with Ilayaraja and ends in the present period of fast music by Vidyasagar. Palaniappan has done a decent job and has not compromised on any commercial elements. This film is infinitely more watchable than the recent crop of mindless love stories.